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The Programming Countdown Begins

We’ve got about eight weeks before the programming proposal deadline of May 9, and…

WE WANT TO HEAR FROM YOU.

Sirens is designed specifically as a space where you can discuss fantasy literature and its remarkable women. We hear you asking questions and having discussions, so we know you have something to say. It’s particularly great when you have something to share that’s related to women authors, characters, or professionals, or when it’s related to the Sirens theme for the year (this year, lovers!). We hope you also know that you can discuss fantasy more generally, as well as all topics that always—and should, and must—come up when we take a look at what we’re reading and writing, like gender, sexuality, diversity and intersectionality, politics, economics, business, art… We could go on, but that’s where you come in.

Most programming for Sirens is conceived and presented by attendees. You create it, you submit it, and—when approved by our vetting board—you present it. We’re able to support presentations in a number of styles; you can see more about what those are on the proposals page of the Sirens website.

While you’re pondering topics and presentation styles, please feel free to check out the entire programming section of the Sirens website, our 2016 suggested reading list, and the conference archives for inspiration. Keep an eye out for more helpful preparation information in the coming months.

And while you’re pondering, you might also like to know…

  1. We ask you to submit proposals so that we can get an idea of what we need to plan for at the conference—and to help us get a sense of what people want to discuss. We hope the proposal process also helps you organize your thoughts!
     
  2. The Sirens website has lots of information about how to prepare a proposal. If you have a question about any part of what you need to make a proposal, please don’t hesitate to email us; we love helping you put together something wonderful.
     
  3. We have a vetting board choose presentations from among the proposals you make. The more proposals, the merrier! That said, we’d prefer that you focus on the proposal or two that’s closest to your heart; not only does the vetting board like to receive a thoughtful proposal, we like to see lots of people presenting once or twice, instead of one person presenting a dozen times.
     
  4. If you’re saying oh, I couldn’t, we encourage you to say yes, I can! If you have more questions than answers, maybe you’d make a great moderator for a panel or roundtable discussion. If you feel more comfortable reading from prepared notes, consider a paper. If you have resources or a skill to share, consider a workshop or an afternoon class.
     
  5. There are no “requirements” to be a presenter; anyone and everyone is welcome to make a proposal.
     
  6. We’re here to help! Reach us at (programming at sirensconference.org).
     

Sirens Accepted Programming for 2015: Roundtable Discussions

By Hallie Tibbetts (@hallietibbetts)

Are you ready to talk? Then you’ll want to take a look at the roundtable discussions that will be offered at Sirens in October.

Roundtables are interactive discussions of a topic led by a moderator, and attendees are encouraged to take an active part in the discussion. Sometimes they are a meeting of the minds; sometimes they’re contentious; sometimes they’re boisterous; sometimes they’re contemplative. They’re always interesting.

Please note that seating in roundtable rooms is very limited to allow everyone in the room the opportunity to participate—once there are 24 attendees and one moderator, the discussion is closed.

Follow this link to find out about the presenters and what they’ll be talking about in these presentations:

The Boobs Tube: The Rebellious Women of The Legend of Korra and Steven Universe

Female Game-Changers

How about Real-Life Rebels, Revolutionaries, and Spies?

Just Your Average Rebel: When Rebellion Means Not Changing Who You Are

Quiet Revolution

Rebelling against the Binary: Gender in Speculative Fiction

Rebellious Reading: Who—Or What—Do You Challenge by Choosing Diverse Books?

Rogue Resources

If you would like to support both Sirens and our presenters, we invite you to sponsor these (and other) presentations. The cost is $35 per presentation. Unfortunately, at this time, we can no longer include sponsors in our conference program book, but we will include your name next to your chosen topic on the accepted programming page and at the conference.

 

Sirens Accepted Programming for 2015: Workshops

By Hallie Tibbetts (@hallietibbetts)

If you’re ready to dig in to craft, you should take a look at the workshops that will be presented at this year’s Sirens.

Workshops are hands-on explorations of a topic. This category can include writing workshops, practice in strategies for teaching and learning, craft-based presentations, and other hands-on and highly interactive topics. Please note that the seating in workshop rooms is very limited to allow the presenters the maximum hands-on teaching time for each attendee, as well as to control costs that the presenters incur if they provide materials. Likewise, this means that if you’re attending a workshop, you get to ask questions and get instruction in a small group. Attending a workshop is a great way to get your creative gears turning!

Follow this link to find out about the presenters and what they’ll be talking about in these presentations:

Five Ways to Build and Break a World

Infiltrate the Query Pile

Unpacking Character: Creating Dimensional Characters with Distinctive Voices That Live beyond the Page

Writing Women with Agency (workshop and roundtable discussion)

If you would like to support both Sirens and our presenters, we invite you to sponsor these (and other) presentations. The cost is $35 per presentation, and we will include your name next to your chosen topic on the accepted programming page. We’ll also list your sponsorship in our program book for this year’s event if we receive your sponsorship by August 21, 2015.

 

Sirens Accepted Programming for 2015: Afternoon Classes

By Hallie Tibbetts (@hallietibbetts)

Afternoon classes provide ways to explore fantasy beyond literature. If you want to try something new and exciting, an afternoon class might be just right.

Afternoon classes cover topics related to fantasy literature and the activities of its characters. These tend to be heavily demonstration-based and interactive! You may be required to sign a liability waiver to be in the room during some physical sessions.

Follow this link to find out about the presenters and what they’ll be talking about in these presentations:

Fan Girls: The Art of Fan Language

No Key, No Problem

Sirens Cipher: Building a Secret Conference Code

And one more item that will be offered in the afternoon, just for people who’d like to find out more about how to present in the future, or how to make a presentation proposal stronger:

Creating Proposals and Compendium Submissions for Sirens

If you would like to support both Sirens and our presenters, we invite you to sponsor these (and other) presentations. The cost is $35 per presentation, and we will include your name next to your chosen topic on the accepted programming page. We’ll also list your sponsorship in our program book for this year’s event if we receive your sponsorship by August 21, 2015.

 

Sirens Accepted Programming for 2015: Panels

By Hallie Tibbetts (@hallietibbetts)

Have you seen the panels that will be presented at Sirens in October?

Panels feature several speakers discussing a topic before an audience. Panels may take questions or discussion from the audience, but are not required to do so. Typically, a panel will be focused on discussion among the speakers, who might have something in common, who might have very different perspectives on a topic, or who might conduct a debate. Panels allow you to hear several perspectives without leaving your seat!

Follow this link to find out about the presenters and what they’ll be talking about in these presentations:

Generation K

The Great Big Interfaith Dialogue

The Iconoclastic Revolutionary

Mother of the Revolution: Self-Actualization as a Form of Rebellion

Women of the Revolution: Changing Genre and the World

Women of War: Trauma and Healing in Speculative Fiction

Writing the Fantastic: Insurrection, Intersection, and Evolution

If you would like to support both Sirens and our presenters, we invite you to sponsor these (and other) presentations. The cost is $35 per presentation, and we will include your name next to your chosen topic on the accepted programming page. We’ll also list your sponsorship in our program book for this year’s event if we receive your sponsorship by August 21, 2015.

 

Sirens Accepted Programming for 2015: Papers

By Hallie Tibbetts (@hallietibbetts)

I’m pleased to point you toward the papers, lectures, and similar presentations that have been accepted for this year.

Papers and lectures feature one or more presenters talking about a topic. Some speakers may give more formal readings of scholarly papers, with or without time for questions at the end; others may give relatively informal lectures with more audience participation. They’ll analyze, compare, and consider. They’ll present research. And they’ll give you their thoughts for pondering.

After a couple of years with fewer papers submitted for consideration, I’m pleased to see renewed interest from presenters. I hope that if you’re attending Sirens, you’ll make time to try a paper, lecture, or presentation—or two! Follow this link to find out about the presenters and what they’ll be talking about in these presentations:

“All the Queen’s Women”: Female Political Leadership in Marchetta’s Lumatere Chronicles

Confessions of a Pro Book Buyer

Hermione Granger: Student Revolutionary or Dumbledore’s Enforcer?

Lumberjanes: Comics for Hardcore Lady Types

The Pen Is the Sword: Sara Estela Ramírez, the Revolutionary as Poet

The Princess and the Picture Book

The Revolutionist’s Handbook: Deploying Your Dragons, Sorceresses, Spies, and Economists

Warriors, Philosophers, and Queens: Legendary Women throughout History

If you would like to support both Sirens and our presenters, we invite you to sponsor these (and other) presentations. The cost is $35 per presentation, and we will include your name next to your chosen topic on the accepted programming page. We’ll also list your sponsorship in our program book for this year’s event if we receive your sponsorship by August 21, 2015.

 

Sirens Newsletter – Volume 7, Issue 9 (July 2015)

In this issue:

 

PRICE INCREASE
On July 8, 2015, the Sirens registration price increases from $195 to $205. Register now and save! Sirens registrations include access to everything that happens at Sirens between 3:00 p.m. on Thursday, October 8, and noon on Sunday, October 11: all guest of honor keynotes, all programming, all events, and a conference t-shirt. Tickets for the Sirens Shuttle, Sirens Supper, and Sirens Studio won’t increase in price, but remaining spots are limited. Registration closes September 12; after that, you must register at the door.

 

PRESENTER REGISTRATION
July 7 is the deadline for presenters to be registered for Sirens. If you’re a presenter and need an extra day or two to register and pay, please be sure to coordinate with (programming at sirensconference.org) so that your accepted presentation is not dropped from the schedule.

 

SCHOLARSHIPS
All recipients of scholarships (and those who didn’t receive a scholarship this year) have been sent an email about how to claim their registrations and shuttle tickets. Thank you to everyone who applied!

And thank you again to everyone who donated to support our scholarship program! In the end, we were able to provide nine scholarships.

 

PROGRAMMING SPONSORSHIPS
As we finalize details, verify presenters, and tidy up descriptions, we’ll be posting presentations offered up by Sirens attendees on the accepted programming page. If you see one you love, we hope you’ll consider sponsoring the presentation, whether anonymously, under your name, or on behalf of a group! Programming sponsorships cost only $35, and the proceeds go to covering Sirens’s expenses. (You can sponsor a presentation by clicking the link that says “Sponsor Programming” on that page.) We appreciate your donations, and if you sponsor a presentation by August 21, we’ll be able to list your donation not just on the website, but in the printed program book that all Sirens attendees receive.

A schedule for the conference weekend will be posted soon; please keep an eye out on Twitter and Facebook for an announcement.

 

BOOKS AND BREAKFAST
Books and Breakfast will be held on Friday, October 9, and Saturday, October 10. For those of you who are new to Sirens, each year we select unusual, controversial, and popular books within our theme, and invite you to bring your own breakfast and join us for informal chats about books before programming begins in the morning.

It’s perfectly okay to join in Books and Breakfast if you haven’t read any of the books, but if you’d like to come prepared (and it’s a lot more fun if you come having read at least one book each day), here are the 2015 selections. Ready? Start reading!

Friday, October 9
Bitterblue, Kristin Cashore
The Book of Phoenix, Nnedi Okorafor
An Ember in the Ashes, Sabaa Tahir
Fire Logic, Laurie J. Marks
The Summer Prince, Alaya Dawn Johnson
2015BooksandBreakfast-Friday
 
Saturday, October 10
Alif the Unseen, G. Willow Wilson
The Goblin Emperor, Katherine Addison
The Interrogation of Ashala Wolf, Ambelin Kwaymullina
The Mirror Empire, Kameron Hurley
The Young Elites, Marie Lu
2015BooksandBreakfast-Saturday

 

TRAVELING TO SIRENS
If you’re flying to Sirens, you’ll likely arrive at Denver International Airport. Denver International is a hub for air travel and most major airlines will take you there.

Ground transportation in Denver is expensive, but Sirens offers the Sirens Shuttle so that you can ride to and from Denver International Airport with other attendees for much less than it costs to travel alone! We’ll pick you up and return you to the airport for $60. We have Monday, Wednesday, and Thursday arrival options, and a Sunday departure; please make sure to check the Sirens Shuttle schedule before booking your flights. You can add tickets for yourself or friends on a new registration or to an existing registration.

It’s also time to make your reservations at the Inverness Hotel. The Inverness rate for standard rooms for Sirens attendees, regardless of occupancy, is $129 beginning the night of October 4, 2015, and ending the night of October 13, 2015. If you’re sharing, you might be especially pleased to know that there are cozy nooks on each floor that might make excellent places to hang out if your sleeping patterns don’t match those of your roommate(s).

Please note that, like most conferences, Sirens commits to filling a certain number of guest rooms at the Inverness in order to hold the event at the hotel. By staying at the Inverness, you’ll not only ensure that you’re part of Sirens around the clock, you’ll help us cover the costs of presenting Sirens as well!

1bed 2beds nook

 

AMY’S BOOK CLUB

RedQueen

Come read with us! Sirens co-founder Amy leads the Sirens Book Club each month. July’s book is Red Queen by Victoria Aveyard. Join the discussion here on Goodreads.

 

JUNE BOOK RELEASES AND INTERESTING LINKS
We’ll be sending these your way later this month. Keep an eye on our Twitter or Facebook for the good—and interesting—news.


Questions? Concerns? Please email general queries to (help at sirensconference.org) and questions about programming to (programming at sirensconference.org).

 

Sirens Newsletter – Volume 7, Issue 8 (June 2015)

In this issue:

 

SIRENS SCHOLARSHIPS AND DEADLINES
This year, because of the generosity of the Sirens community, we are pleased to offer scholarships in three categories: via Con or Bust, for programming proposal merit, and for people with financial hardships. Each scholarship includes both a Sirens registration and a Sirens Shuttle ticket. Con or Bust is coordinating the first set of scholarships (and two were claimed at the time of this writing), and to be eligible for a programming merit scholarships, presenters opted in during the submissions process. Sirens is taking financial hardships scholarships applications until June 15, 2015. If you need assistance, we hope you’ll consider applying for a scholarship.

 

PROGRAMMING DECISIONS ARE COMING!
Notices regarding programming proposals will be sent no later than June 8, 2015 (and you should expect them close to or on that date, rather than sooner). Please note, however, that if we’re still tracking down your co-presenters, a decision may be delayed. Thank you in advance for making sure that all proposal collaborators have checked in! We’ll be sending programming scholarships decisions with the decisions on proposals. The vetting board and the scholarships committee both thank you for your participation, and are giving thoughtful consideration to your proposals.

 

REGISTRATION PRICE INCREASE AND PRESENTER REGISTRATION DEADLINE
The last day to register for Sirens for $195 is July 7; the price increases to $205 on July 8. July 7 is also the deadline to register for presenters; if you’re a presenter and need an extra day or two to register and pay, be sure to coordinate with (programming at sirensconference.org) so that your accepted presentation is not dropped from the schedule.

 

SIRENS STUDIO
For the first time, Sirens is delighted to offer a pre-conference option for readers, writers, scholars, and professionals! The Sirens Studio will start Tuesday morning and feature two days of workshop intensives, discussion, networking opportunities, and flexible time for you to use however you wish. Check out the schedule, workshops, and faculty here.

 

SIRENS SUPPER
If you’ll be in Denver on the evening of October 7, 2015, perhaps you’d like to join us for the Sirens Supper. Each year, our conference staff hosts a dinner for a limited number of attendees and friends, where we get to know each other before Sirens starts, and you’re welcome to come. The menu: petite greens with jicama, orange segments, cilantro-lime dressing and cornbread croutons; local corn and roasted poblano chili chowder; a medley of fresh, seasonal vegetables; black bean rice pilaf; fresh baked rolls and butter; baked salmon with Yucatan spices and coconut; cane sugar-rubbed roasted pork loin with Creole mustard sauce; quinoa-stuffed eggplant with roasted pepper marinara; margarita cheesecake; fruit empanadas; and coffee and hot tea. Tickets are $60, and those who also register for the Sirens Studio get $10 off the dinner price.

 

SIRENS SHUTTLE
Ground transportation in Denver is expensive, and Denver’s public transportation isn’t what it could be. In addition, the Inverness Hotel, the location for Sirens, is out of the way. Sirens offers discounted group transportation so that you can ride to and from Denver International Airport. We’ll pick you up and return you to the airport for $60, less than other vendors want for a one-way trip. You can add tickets for yourself or friends on a new registration or to an existing registration. Get more information and the Sirens Shuttle schedule here.

 

AUCTION AND BOOKSTORE DONATIONS
Each year, Sirens covers thousands of dollars in operating expenses with the proceeds from our conference auction and bookstore. While the bookstore does purchase its new inventory, Sirens attendees and supporters always generously donate both auction items and used fantasy books in order to help us raise these necessary funds. Auction items can—and have been—everything from custom artwork to professional services, advanced reader copies of fantasy books to t-shirts, pillows, and journals. Anything that might interest fantasy readers, writers, or professionals is welcome. Similarly, we accept gently used fantasy books by female authors or featuring complex female protagonists for the used section of the bookstore. If you are interested in donating an auction item, please email Amy Tenbrink at (donate at sirensconference.org) to let her know that you’ll be supporting our auction; if you are donating used books, please send them so they reach us at the following address no later than September 19, 2015 (and you can use media mail!):

Sirens
c/o Narrate Conferences
P.O. Box 149
Sedalia, Colorado 80135

Thank you for your support!

 

AMY’S BOOK CLUB

TheMirrorEmpire

Come read with us! Sirens co-founder Amy leads the Sirens Book Club each month. June’s book is The Mirror Empire (Worldbreaker Saga #1) by Kameron Hurley. Join the discussion here on Goodreads, starting on Saturday, June 6.

 

YOU’RE EXCITED ABOUT…

Interesting Links:

We are saddened to hear of the passing of Tanith Lee (1945–2015)

Fairy tales, fantasy and dangerous female desire: Celebrating Angela Carter, the literary link between Bros. Grimm and ‘50 Shades’”

Subversive Pleasure”: On Angela Carter’s The Bloody Chamber

5 Black Women Authors Everyone Should Be Reading”

Dear Marvel and Sony: We Love Movies for Their Kick-Ass Female Heroes, Too, You Jerks”

Feminist Thor Selling Way More Comic Books Than Dude Thor”

2015 Locus Awards Finalists

2014 Shirley Jackson Awards Nominees

The 2015 Norton Award jury has convened and seeks entries; young adult and middle grade books with speculative content published in 2015 are eligible

Lumberjanes optioned for a live action movie

 

Recent Releases:
This month, we’re changing how we tell you about recent releases. In July’s newsletter, we’ll give you the June roundup. We love to hear about new books, whether yours or those you’re anticipating; please send the details to (help at sirensconference.org).

 

SIRENS REVIEW SQUAD
We’d love a few more volunteers to supply us with short reviews of works they have read and loved. If you think you could contribute a book review of at least 250 words sometime during the next year, we would be pleased to have your recommendation for the Sirens newsletter.

Review squad volunteering is flexible; we simply ask that you share information about books you’ve enjoyed. (We are, of course, especially interested in fantasy books by and about women, and we hope you’ll consider interesting, diverse selections.) You can contribute once or on an ongoing basis, and on a schedule that works for you. Please visit the volunteer system and, when we ask you what position you’re interested in, type in “Book Reviewer.”

 

This month, 2009 Sirens Guest of Honor Sherwood Smith offers us a look at two recent releases.

Crimson Bound, Rosamund Hodge
Uprooted, Naomi Novik

Some twenty, twenty-five years ago, I recollect a lot of scorn poured on the pastoral fantasy. Which is fine—no every subgenre pleases every reader, blah blah—but (as people will) the pastoral novel was derided as being not only twee but backward-looking, especially compared to the Cool New Cyberpunk, which was all about the edge of the future.

Of course there were readers who cheerfully admitted to liking both. I remember rolling my eyes and bailing discussions as soon as they devolved into if-this-is-good-that-has-to-be-bad. Especially when “pastoral” was narrowly defined as twee stories about sweetly eccentric English hedge witches and revampings of Beatrix Potter. (To which I once responded, have you actually reread Beatrix Potter recently? Or the poetry of William Blake?)

Anyway, for whatever reasons, pastoral fantasies largely went out of fashion, at least I hadn’t seen any until this month when two came out within days of each other. They contained a lot of similar elements, they were not set in an idyllic England, and they are very, very not twee.

These are Crimson Bound, by Rosamund Hodge, and Uprooted by Naomi Novik.

Before I talk about them, I want to address what I think pastoral fantasy is. This is an old form that resurfaces every few generations, in art, poetry, and fairy tales. It’s not always twee or cute, though there is an emphasis on natural beauties. But pastoral fantasy can explore beauty that is dangerous, inspiring but unsettling, powerful and even subversive because it has not been neatly clipped into box hedges, cemented over, and civilized into an urban pretense of order.

CrimsonBoundPastoral fantasy is not grimdark, which emphasizes the ugly and grinds down the dispossessed; it permits the tangle of the forest to get its roots and leaves into the urban walls and streets. Pastoral fantasy can be dark and dangerous but also full of beauty, hope, and tenderness: you can die in the same wilderness you go to experience peace, beauty, and calm. Alone in nature, you become aware that you are not the most powerful force there.

I think that that is the most important distinction of pastoral fantasy: that humans are not the most powerful force.

Neither of these two new novels takes place in fantasy England: Uprooted is set in a semblance of eastern Europe, and Crimson Bound in a fairy tale France circa the seventeenth century—which was a time of dynamic change.

In both, the woods play a fundamental role—a threatening, dangerous, horrific role. Some of the most evocative writing in both books is about the forest and its dangerous nature.

From Crimson Bound:

Erec led them through the Chateau, and it was almost the forest. Bleeding through the marble hallways, Rachelle saw labyrinthine paths between trees whose branches wove together overhead until they seemed like a single plant.

Birds called with warbling, half-human voices. The wind dug its fingers into her hair, burned at her eyes.

From Uprooted:

There was a falling tree stretching across the space, a giant, its trunk taller across than I was. Its fall had opened up this clearing, and in the middle of it, a new tree had sprung up to take its place.

But not the same kind of tree. All the other trees I’d seen in the Wood had been familiar kinds, despite their stained bark and the twisted unnatural angles of their branches: oaks and black birch, and tall pines. But this was no kind of tree I had ever seen.

It was already larger around than the circle my arms could make, even though the giant tree couldn’t have fallen very long ago. It had smooth gray bark over a strangely knotted trunk, with long branches in even circles around it, starting high up the trunk like a larch. its branches weren’t bare with winter, but carried a host of dried-up silvery leaves that rustled in the wind, a noise that seem to come from somewhere else, as though there were people just out of sight speak softly together.

I’d say both books are New Adult or above; both are centered around seventeen-year-old girls who gain terrific powers, tackle adult relationships, and fight their way against terrible odds. Uprooted is pastoral fantasy but also horror, and Crimson Bound, while not horror, is more of a dark fantasy; while it doesn’t have the Die Hard body count of Uprooted, it is no slouch in dealing with duels and death.

UprootedAnd in both the woods are compellingly dangerous.

In spite of these similar elements, they are very different books. To read one is not at all to have read the other. I talk about them more specifically on Goodreads here and here; though they head in different directions (and I’m not getting more specific lest I tread into spoiler territory), there is one important element they share: their exploration of female emotional growth, and agency.

These heroines are not looking backward, nor are the thematic elements of their stories. They are playing out, in entertaining format, what life will be like for young women moving into positions of authority. That includes the cost of moral and ethical choices, and the inexorable ramifications of decisions made when you have the power to effect others’ lives.

Both are immersive, compelling reads, and in spite of the retro-fantasy setting, have a great deal to say about issues right now. –Sherwood Smith


Questions? Concerns? Please email general queries to (help at sirensconference.org) and questions about programming to (programming at sirensconference.org).

 

Sirens Newsletter – Volume 7, Issue 7 (May 2015)

In this issue:

 

PROGRAMMING DEADLINE: MAY 15
Visit the programming section of the Sirens website.

The deadline to submit programming proposals to Sirens is May 15, 2015. That means you have less than two weeks to put together your proposal, to find co-presenters, and to offer your idea to the vetting board. Never fear, however: at the time of submission, you need only have a short summary for the program book and a short abstract (or lesson plan, or set of discussion questions) ready for review. You’ll still have until October to prepare! Not sure what to present? Here are a few ideas we’ve shared on Twitter for #SirensBrainstormMonday or during chats:

  • Let’s Talk About Sex, Baby: The Importance of Female Desire in Young Adult Fantasy Literature
     
  • Chat brainstorming: Crossovers between fantasy and other genres (reader expectations, clashing writing tropes, when they work really well).
     
  • Chat brainstorming: The sometimes success of non-traditional structures (shifting PoVs, unreliable narrators, non-linear storytelling).
     
  • Chat brainstorming: Older heroines who have some wisdom and leadership skills, but are still challenged in a book (e.g., Broken Monsters).
     
  • Bring It On: Are Girls More Fearless in Fantasy Literature?
     
  • Forgiveness and Revenge in Fantasy
     
  • Murder, Mistake, Rebellion, Revolution: Our Changeable Thresholds of Female Villainy in Fantasy Literature
     
  • Homicidal Asylum Prisoner to Practically Perfect Authorial Insert: The Many, Many Faces of Alice of Wonderland
     
  • “How about something with women-led societies and matriarchal lines: Sorrow’s Knot, The Demon King, Queen of the Tearling?”
     
  • “40+-year-old women in fantasy lit: Paladin of Souls, A Crown for Cold Silver, Granny Weatherwax…”
     
  • Handbook of Revolution: Deploying Your Dragons, Mages, Spies and Wannabe Queens
     

These folks are or were seeking presentations or collaborators. Please contact them directly; if you don’t use Twitter, and you email us ASAP at (programming at sirensconference.org), we’ll forward your contact information to them, if we can.

  • Bethany Powell/ @oh_gingersnap / Panel “Women in War: trauma & healing in SFF” looking for panelists! Would love counseling/medicine/healer perspectives. But: I would also just love perspectives of common sense and mature ladies! Anyone who’d like to chat these topics.
     
  • @morinotsuma is looking for co-panelists to discuss IRL heroines as inspiration for fantasy novels. Interested?
     
  • Panel on religion in fantasy seeks Buddhist and Muslim voices. If you’re attending #Sirens15 and want to join, let @sesmithwrites know!
     
  • Catherine Lundoff @clundoff has raised a hand for being part of programming—check out her Twitter for more information and interests.
     

And we have some facts, frequently asked questions, examples, and inspiration for you!

Staff talks about presenting different kinds of programming:

Attendees talk about programming:

 

HELP US FUND SIRENS SCHOLARSHIPS

Can you help us reach our goal of including more voices in Sirens?
 
Sirens Conference needs your help to include more voices in our community!

This year, we hope to offer more scholarships than ever before. You can donate any amount, and if you do—no matter the amount—we will feature you, under your chosen name (or anonymous), on our website and in our program book. More importantly, both our Sirens team and our community will be grateful for your commitment both to those who might not otherwise be able to attend Sirens and to the diversity and inclusiveness of our community.

We’ve already funded a third of our scholarships—the first three will benefit Con or Bust. Can you help us meet our goal of funding a total of nine scholarships? You can donate any amount, and any amount is much appreciated.

 

AMY’S BOOK CLUB

SnowLikeAshes

Come read with us! Sirens co-founder Amy leads the Sirens Book Club each month. May’s book is Snow Like Ashes by Sara Raasch. Join the discussion here on Goodreads.

 

YOU’RE EXCITED ABOUT…

Interesting Links:

Never-before-seen passage cut from an early draft of Madeleine L’Engle’s A Wrinkle in Time.

Marvel hires a pair of women to write Captain Marvel.

Fairy tales that are backed by science!

Exploring the appeal of fantasy romance.

Five fantasy epics that would make for better TV than Game of Thrones, including Tamora Pierce’s The Immortals.

Four female Muslim superheroes countering stereotypes.

The Darkest Part of the Forest by Holly Black is the 2015 Indies Choice Book Award Young Adult Book of the Year.

Another day, another erasure of women in the world of books.

Me and Science Fiction: What Are We, Chopped Liver?

April was Women in SF&F Month on Fantasy Café.

One Artist Rips Open Grimm’s Fairy Tales to Reveal Their Gruesome, Feminist Roots (note: graphic imagery that may be disturbing or NSFW).

DC and Mattel team up to create superhero action figures for girls.

Aniko Kolesnikova’s 3-D fantasy book covers.

A peek at how maps get made for fantasy books.

New audio adaptation of Earthsea by Ursula K. LeGuin on BBC Radio 4.

2014 Tiptree Award Winners.

2014 Aurealis Awards.

Magical 3-D art made from abandoned books.

 

Recent Releases:
PLEASE NOTE: We will soon be transitioning to reporting on books that are out in the previous month, so we’ll be skipping new books in the June newsletter. In July, we’ll bring you a list of June’s releases. As always, we’re happy to hear about new releases—please send them to (help at sirensconference.org)!

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Click each image for a closer look at the covers.

From April:
Back, Belly, and Side: True Lies and False Tales, Celeste Rita Baker
Cold Burn of Magic (Black Blade #1), Jennifer Estep
Grounded: The Adventures of Rapunzel (Tyme #1), Megan Morrison
Ms. Marvel, Vol. 2: Generation Why, G. Willow Wilson, ill. Jacob Wyatt and Adrian Alphona
Once Upon a Time: Out of the Past, Kalinda Vazquez, ill. Corinna Bechko, Pascal Campion, Betsy Peterschmidt, Vanesa Del Rey, and Janet Lee
SuperMutant Magic Academy, Jillian Tamaki

May 1:
Lois Lane: Fallout, Gwenda Bond
Mermaids and Other Mysteries of the Deep, ed. Paula Guran
Song for a Scarlet Runner, Julie Hunt

May 5:
Alien Separation, Gini Koch
Archivist Wasp, Nicole Kornher-Stace
Blood Sisters: Vampire Stories by Women, ed. Paula Guran
The Book of Phoenix, Nnedi Okorafor
Cat’s Lair, Christine Feehan
A Court of Thorns and Roses, Sarah J. Maas
Crimson Bound, Rosamund Hodge
Day Shift, Charlaine Harris
Grave Phantoms, Jenn Bennett
The Heir, Kiera Cass
Ice Kissed, Amanda Hocking
Isle of the Lost, Melissa de la Cruz
Oracle, Michelle West
The Perilous Princess Plot (Buckle and Squash #1), Sarah Courtauld
Seriously Wicked, Tina Connolly
The Waterborne Blade, Susan Murray
Witches With the Enemy, Barb Hendee

May 7:
City of Fae, Pippa DaCosta
Marked, Sue Tingey

May 8:
Avalon Rising, Kathryn Rose

May 12:
5 To 1, Holly Bodger
Bayou Magic, Jewell Parker Rhodes
The Big Fix: A Novel, Linda Grimes
Born of Defiance (The League #8), Sherrilyn Kenyon
The Boys of Fire and Ash, Meaghan McIsaac
Cuckoo Song, Frances Hardinge
Defiant, Karina Sumner-Smith
Dreams of Shreds and Tatters, Amanda Downum
End of Days, Susan Ee
Love Is Red, Sophie Jaff
Points of Departure: Liavek Stories, Patricia C. Wrede and Pamela Dean
The Telling Stone (Time Out of Time #2), Maureen Doyle McQuerry
Todas las Hadas del Reino, Laura Gallego García
Unusual Chickens for the Exceptional Poultry Farmer, Kelly Jones
The Wrath and the Dawn, Renée Ahdieh

May 19:
Chantress Fury, Amy Butler Greenfield
Dangerous Deception, Kami Garcia and Margaret Stohl
Eighth Grave After Dark, Darynda Jones
The Gracekeepers, Kirsty Logan
The Hanged Man, P. N. Elrod
Illusionarium, Heather Dixon
Lion Heart, A. C. Gaughen
Nimona, Noelle Stevenson
Off the Page, Jodi Picoult and Samantha van Leer
Thor’s Serpents, K. L. Armstrong and M. A. Marr
Uprooted, Naomi Novik
Women of Wonder: Celebrating Women Creators of Fantastic Art, edited by Cathy Fenner

May 26:
The Awesome, Eva Darrows
Beauty (Tales from the Kingdoms #3), Sarah Pinborough
Charmed, Michelle Krys
The Death Code, Lindsay Cummings
The Eternal City, Paula Morris
I Am Princess X, Cherie Priest
The Talon of the Hawk (The Twelve Kingdoms #3), Jeffe Kennedy

 

SIRENS REVIEW SQUAD
We’d love a few more volunteers to supply us with short reviews of works they have read and loved. If you think you could contribute a book review of at least 250 words sometime during the next year, we would love to have your recommendation for the Sirens newsletter.

Review squad volunteering is quite flexible; we simply ask that you share information about books you’ve enjoyed. (We are, of course, especially interested in fantasy books by and about women, and we hope you’ll consider interesting, diverse selections.) You can contribute once or on an ongoing basis, and on a schedule that works for you. Please visit the volunteer system and, when we ask you what position you’re interested in, type in “Book Reviewer.”

 

TheWitchofPaintedSorrowsThe Witch of Painted Sorrows
M. J. Rose

There are no words for how much I loved this book.

The Witch of Painted Sorrows is the tale of a young American woman who flees to her grandmother’s mansion in Paris to get away from her tyrant husband. When she gets there, however, Sandrine finds more than she bargained for in the form of La Lune, a woman of family lore who may still be haunting the house. Through her influence, Sandrine learns to paint, exert her own willfulness, and perhaps most shockingly (to herself at least) embrace her sexuality and sensuality.

This book was incredibly atmospheric evoking the glamour and mystery of La Belle Epoch Paris, nearly gothic in places—it gave me shivers! The house and city become characters as much as the people in the book.

Though Sandrine isn’t much developed as a character before her first encounter with La Lune, the changes wrought in her serve to show the reader what she must have been like before. (And I have to say, go La Lune! A woman before her time.) I wish Julien had been a little more developed, but he still served as the perfect pairing of the empowered Sandrine, and foil to her husband. Sandrine’s courtesan grandmother may have been the most developed of all the characters. Watching what happens to her was heartbreaking.

And the sex! *fans self* This is not erotica by any means, but in the hands of a skilled author like M. J. Rose, the sex scenes are amazing. Give me this over 50 Shades any day.

As a fan of all things mystical and occult, this book was right up my alley. I loved the reference to the fire opals and rubies (I hope she does more with the stones’ symbolism in later books) and the depiction of spiritualism and the occult rites toward the end was spot on from research I’ve done. Plus, the idea of a ghost possibly possessing someone always lends an air of the uncanny.

I have to say I’m wondering what she’s going to do with the rest of the series. The ending was well tied up, save for one shocker that made me sit back and say, “Okay, bring on book 2! ” – Nicole Evelina


Questions? Concerns? Please email general queries to (help at sirensconference.org) and questions about programming to (programming at sirensconference.org).

 

Perspective: On Programming – Artemis Grey

Sirens Programming I Have Loved

I’m an old crone in the Sirens world, having attended every conference since its inception in 2009. That’s given me years of experiences to draw from, so when Amy suggested writing a little something about Sirens programming that I’ve loved, I was like “I’m on it!” Then I actually tried to narrow the lists of programming that I loved down to something manageable, and things got more difficult. The truth is that I’ve loved every program at Sirens I’ve ever attended. So I sat and brooded a little, and tried (without cheating and looking back through program books) to single out programs that were still sitting fresh in my head.

First up, and one that’ll probably always stick in the forefront of my mind, is an afternoon class, “Dark Ages Armor,” presented by Dave Horvath, which took place at the very first Sirens in 2009. The class introduced us to armor of the dark ages, the parts of the armor, what it was made of, and a sample of Dark Ages weaponry. Not only was it an interesting class, but we were able to try on the pieces of armor, and Dave brought in some straw and we were allowed to actually try our hand at using a spear to pierce a shield. I mean, really at what conference can you use an actual weapon to stab an actual shield? Sirens, that’s what conference!

From the 2010 Sirens, I still think very often of two programs. One is “The Golden Age of YA” panel, with Rachel Manija Brown, Malinda Lo, Janni Lee Simner, and Sarah Rees Brennan. As someone who writes YA, it was wonderful to hear them discuss how it had evolved in recent years, blowing away the prior accepted length of 60,000 words and bulling its way through censorship and into a new world of writing where adults read the books as much as young adults do. As someone who was reading Stephen King when she was in her early teens, and who didn’t pick up a lot of YA books until she was in her twenties, I loved hearing the authors discuss these phenomena.

Also in 2010 Sirens was the workshop “Revision: Openings,” hosted by Sherwood Smith. Writers were able to bring WIPs and Sherwood read them aloud so that we could experience our openings the way a reader does. This was invaluable (and slightly terrifying) and I had such an amazing time that four years later, it’s still right there with me. Participants had the chance to weigh in (kindly but honestly) on each opening and briefly discuss what worked about it, and what didn’t, and even offer suggestions if they had them. You just can’t beat that sort of experience.

Sirens in 2012 brought “Siren with a Sword: Fencing 101” in the afternoon classes. Need I say more? FENCING. It was amazing. We had a room full of participants and not one person got run through. That in and of itself warrants note. What’s more, we learned basic positions and how to move from one to the next, how to balance them, and exactly how much core strength it takes to carry them out. All experiences you wouldn’t likely get anywhere else! And, as always, the company of other Sirens attendees cannot be beat.

For me, every piece of Sirens programing is one I’ve loved, because each one was an experience to be shared with my fellow Sirens. It’s this sense of inclusion and unity that makes Sirens such a wonderful place. Whether you’re an established and well-known author or a first time conference attendee, once you’re here, you’re a Siren forevermore. My personal favorite programs are ones that stir the imagination, but there’s always something for everyone. I implore anyone who has ideas for programming to submit a proposal! I was a first-time presenter back in 2009, and it was the best introduction to presentations I could have asked for. I’ve been a presenter off and on in the years since, and I plan on submitting to the vetting board for program in 2015 too!

–Artemis Grey
 

Presented by Narrate Conferences, Inc.

 

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