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50 Brilliant Speculative Works by Black Authors

Black lives matter.

One might hope that speculative spaces—limited by only our imaginations—would be the vanguard of inclusion, representation, and recognizing the full humanity of marginalized people. But in practice, speculative spaces, like so many others, ignore or even silence marginalized voices with devastating regularity. We’ve all read pseudo-European fantasies with all-white casts, hand-waved away with the flagrantly false assertion that people of color did not live in medieval Europe. We’ve all read science fiction worlds with wildly imaginative tech, only to discover that, for all that inventiveness, their creators couldn’t imagine a future with people of color. We’ve all read accounts about the overwhelming obstacles placed in front of people of color who wish to become authors, illustrators, scholars, and publishing professionals, nonsensically explained as simply hiring “a known quantity,” “the best fit,” or “the most qualified.”

One of the goals of Sirens is to make space for, and then actively amplify, marginalized voices. Our society is premised on structures and systems that relentlessly amalgamate power in the hands of white, heterosexual, cisgender, able-bodied men. We are committed to dismantling those structures and systems.

Today, as we are heartbroken, defiant, resolute, and hopeful, we strongly recommend that you put speculative works by Black women, nonbinary, and trans folks at the top of your reading list—and we offer you 50 brilliant speculative works to get you started. Surely you’ve already read L.A. Banks, Octavia Butler, Toni Morrison, and Gloria Naylor, so our list includes another 50 authors and scholars, all Black, all brilliant, all blazingly bright.

These 50 works are about Black people, Black communities, about Black people seeking the stars, accomplishing six impossible things before breakfast, and changing the world. They are about Black heartbreak, Black defiance, Black resoluteness, and Black hope.

Read their words. Live in their worlds. Celebrate their power. Pass these messages on. And be sure to buy these—and other works—from Black-owned bookstores.

Black lives matter.

1. Redwood and Wildfire by Andrea Hairston
Redwood and Wildfire Andrea Hairston
This epic love story between a Black woman and a Seminole-Irish man at the turn of the last century is a journey of self and growth, an indictment of the legacy of American slavery, a well-researched history, a tragedy, a redemption. Hairston once shared that this book haunted her until she wrote it.

2. Bodyminds Reimagined by Dr. Sami Schalk
Bodyminds Reimagined Sami Schalk
Dr. Schalk brilliantly explores the intersection of Black feminist theory with disability studies and speculative fiction—by expertly placing the bodymind in the landscape of speculative works by Black women.

3. Dread Nation by Justina Ireland
Dread Nation Justina Ireland
Ireland has crafted a searing deconstruction of race and America, set post-Civil War, where the dead rise as zombies. Jane, trained in combat with other Black and brown girls, is the sort of subversive, dangerous heroine who gets shit done. You will love her.

4. Freshwater by Akwaeke Emezi
Freshwater Akwaeke Emezi
Ada, born “with one foot on the other side,” has a head full of gods. As she gets older, especially after she comes to the United States for college, those gods become increasingly assertive—until Ada herself is lost. A blazing work, with exquisite prose.

5. The Good Luck Girls by Charlotte Nicole Davis
The Good Luck Girls Charlotte Nicole Davis
Five girls, sold into slavery as children, escape after one of them accidentally kills a man. Seeking an improbable legend, the girls need each other to survive. Full of Wild West ideas of freedom and revenge, but with Black girls, queer girls, angry girls, and more.

6. Ghost Summer by Tananarive Due
Ghost Summer Tananarive Due
A collection of masterful horror stories, but as you might expect, the horror isn’t born of werewolves and ghosts and monsters, but of ourselves, our society, our lack of humanity, our own monstrousness. The first story, both heart-rending and terrifying, will knock you flat.

7. Black Girl Unlimited by Echo Brown
Black Girl Unlimited Echo Brown
A strong, autobiographical debut where Echo Brown, a teenage girl from the East Side, finds portals to new worlds when she begins attending a rich school on the West Side. Through magical realism, Brown explores poverty, sexual violence, racism, and codeswitching—and the emotional toll they take.

8. Sing, Unburied, Sing by Jesmyn Ward
Sing, Unburied, Sing Jesmyn Ward
Ward claims the American road trip as foundation for a distinctively American story: one of race, love, and loss in the post-Katrina South, one of families rent by incarceration, one of the hauntings of American slavery. Sing, Unburied, Sing won Ward her second National Book Award and it’s damn close to perfect.

9. Queen of the Conquered by Kacen Callender
Queen of the Conquered Kacen Callender
In this Caribbean-inspired fantasy murder mystery, Sigourney is the surviving daughter of a noble lineage and has the power to control minds—and has vengeance on her mind. A cutting exploration of colonialism, slavery, trauma, and power structures, with more than a hefty serving of political intrigue.

10. Sister Mine by Nalo Hopkinson
Sister Mine Nalo Hopkinson
Twin sisters, born of a god and a mortal, conjoined until just after birth. In the separation one lost part of her leg, the other her mojo. Godly plots ensue. At its heart, this delightfully weird book is all about all-too-familiar family dynamics.

11. Bayou Magic by Jewell Parker Rhodes
Bayou Magic Jewell Parker Rhodes
It’s Maddy’s turn to spend the summer with her grandmother in the bayou—but that bayou holds more magic than Maddy could ever have dreamed. A transcendent novel with compelling themes of Blackness, wonder and conservation.

12. Daughters of Nri by Reni K. Amayo
Daughters of NRI Reni K Amayo
Set an ancient, fantasy Igbo kingdom, Daughter of Nri envisions a world without colonialism or slavery, where Amayo’s culture and triumphs are centered and celebrated. Two goddesses grow up believing they are human girls and take down the man responsible for the lost gods.

13. Ancient, Ancient by Kiini Ibura Salaam
Ancient, Ancient Kiini Ibura Salaam
If you want vibrant, sensual, gut-punching, and wildly imaginative speculative stories centered on Black identity, gender, love, body, and becoming—you can do no better than Salaam’s collection here. Take your time with these—they’re stories to ponder and savor.

14. Searching for Sycorax by Dr. Kinitra D. Brooks
Searching for Sycorax Kinitra D. Brooks
An effortless close examination of the works of Black women in horror and how those works—so often ignored by other branches of scholarly inquiry—are both reshaping the genre and decentralizing its whiteness and maleness.

15. Children of Blood and Bone by Tomi Adeyemi
Children of Blood and Bone Tomi Adeyemi
A bravura revolution of a book inspired by Black Lives Matter. Children of Blood and Bone is both a harrowing allegory for institutional racism and a deftly crafted rebel story set in fantasy West Africa featuring a princess with a sword and a sorceress who refuses to quit.

16. The Fifth Season by N.K. Jemisin
The Fifth Season N.K. Jemisin
A blazing book full of power deconstructions, desperate magics, and a hostile planet. You may as well buy the two sequels now because you’ll be needing them—and should we mention that all three books in the trilogy won the Best Novel Hugo in a back-to-back-to-back threepeat?

17. The Summer Prince by Alaya Dawn Johnson
The Summer Prince Alaya Dawn Johnson
Once a decade, a near-future matriarchal society in South America kills a boy in sacrifice. But this summer, in this burning, explosive book, June—full of passion, art, and revolution—wants to change Palmeres Tres.

18. M.F.K. by Nilah Magruder
M.F.K. Nilah Magruder
Reclusive Abbie just wants to scatter her mother’s ashes over the mountain, but in a world filled with sandstorms, wild beasts, sleeping gods, and mysterious magic, nothing’s that simple. Fans of Avatar: The Last Airbender will adore the desert world and heartfelt characters in this start of a graphic novel series.

19. Elysium by Jennifer Marie Brissett
Elysium Jennifer Marie Brissett
Interrelated stories show us breathtaking, earth-shaking love in many forms. Even as the characters, gender and sexual identities, settings, and relationships change, the powerful threads of love and loss remain true through Brissett’s profoundly original work—with a head-scratching twist that will blow you away.

20. American Street by Ibi Zoboi
American Street Ibi Zoboi
When her mother is detained by immigration, Fabiola continues to Detroit to stay with her raucous cousins. Zoboi’s magical work melds sometimes rough Detroit with Haitian Vodou and Fabiola’s perceptions of America to create something wholly new.

21. Slay by Brittney Morris
Slay Brittney Morris
A fantasy-adjacent YA, Slay is a smart musing on safe spaces through the lens of Kiera, one of the few Black kids at her school—who is also the creator of SLAY, a Black-only WoW-style game. A thoughtful book about privilege, safety, and belonging.

22. Two Moons by Krystal A. Smith
Two Moons Krystal A. Smith
An utterly joyful, delightful work full of Black mysticism and queerness: A woman falls in love with the moon. A woman births a goddess—and receives a surprising reward. A woman has a heart-to-heart…with her heart. You’ll never want this to end.

23. Orleans by Sherri L. Smith
Orleans Sherri L. Smith
In this near-future dystopia, the Gulf Coast has been ravaged by one hurricane too many and the region has been quarantined to reduce spread of a deadly disease. Orleans might feel a bit close right now, but the rich and thoughtful worldbuilding impresses, and Fen and Daniel must work together to do what they have to—to survive.

24. Butterfly Fish by Irenosen Okojie
Butterfly Fish Irenosen Okojie
Both wry and tragic, Okojie’s lyrical work alternates between present-day London, 1950s London, and 18th century Benin and centers around Joy, a photographer coping with the death of her mother. The interweaving of narratives speaks volumes on legacy and generational trauma. Lit nerds take note, this is a feast for lovers of form.

25. A Song of Wraiths and Ruin by Roseanne A. Brown
A Song of Wraiths and Ruin Roseanne A. Brown
A YA fantasy starring a Black princess and a refugee boy in the first of a duology inspired by West African folklore. If you’re a fan of athletic competitions in fantasy, get it! Plus a very slow burn enemies-to-lovers romance…and stabbing.

26. The Dark Fantastic by Ebony Elizabeth Thomas
The Dark Fantastic Ebony Elizabeth Thomas
A thoughtful criticism of the lack of diversity in speculative works as a fundamental lack of imagination. Focusing on four Black characters, Thomas incisively deconstructs how they’re treated both on the page and by consumers.

27. Power & Magic: The Queer Witch Comics Anthology edited by Joamette Gil
Power & Magic Queer Witches Comics Anthology Joamette Gil
15 original comics by a variety of creators, collected and edited by Afro-Cuban Joamette Gil, all on a theme of queer witches of color. This collection is all about finding and claiming your power—and finding and claiming yourself.

28. Who Fears Death by Nnedi Okorafor
Who Fears Death Nnedi Okorafor
In a fantasy Sudan, Onyesonwu is born a daughter of weaponized rape. As she finds her path and ends the genocide of her people, unapologetically angry and immensely powerful Onyesonwu is the sort of heroine we all need.

29. Mother of the Sea by Zetta Elliott
Mother of the Sea Zetta Elliott
Elliott weaves Yoruba folklore seamlessly into the brutality of the Middle Passage in this riveting tale of horror, grief, and ultimately salvation.

30. The Gilda Stories by Jewelle Gomez
The Gilda Stories Jewelle Gomez
A protagonist who is Black, a lesbian, and a vampire, in a book that is unrepentantly feminist and features powerful themes of found family. If you need a book about finding your place in an unwelcoming world, The Gilda Stories is that book.

31. The Belles by Dhonielle Clayton
The Belles Dhonielle Clayton
Clayton tackles the pretty-girl competition trope, first by crafting a revolution led by gorgeous girls, but more subversively, deconstructing our racist stereotypes of beauty. A must-read for anyone rejecting beauty myths.

32. The Old Drift by Namwali Serpell
The Old Drift Namwali Serpell
A tour de force that begins in 1904, along the banks of the Zambezi River—and ends generations later, after years of wrongs, losses, and retributions among three families. The fairytale backdrop is simply spectacular, Serpell’s analysis of colonialism in Africa even more so.

33. What It Means When a Man Falls from the Sky by Lesley Nneka Arimah
What It Means When a Man Falls from the Sky Lesley Nneka Arimah
Highly perceptive, impossibly original stories that feature Black characters and deconstruct our need to be connected: sometimes to other people, sometimes to a community, sometimes to an idea of place or home or culture. The violence of the first story is shocking, profound, heartbreaking.

34. Everfair by Nisi Shawl
Everfair Nisi Shawl
A spectacular alternate history, in which Shawl explores what might have been—in a steampunk Africa—if the Africans had developed technology before the colonizers. Tremendously complex, full of real insight, both human and political.

35. Song of Blood and Stone by L. Penelope
Song of Blood and Stone L. Penelope
As war looms, soldiers looking for shelter—and with erstwhile spy Jack in tow—commandeer biracial outcast Jasminda’s home. Jasminda and Jack help each other escape, and while romance blooms, they save millions of people.

36. The Deep by Rivers Solomon
The Deep Rivers Solomon
Descendants of the unborn babies thrown overboard during the Middle Passage still live in the Atlantic—but when Yetu rises to the surface, she discovers the world her people lost long ago. A powerful work about ancestral pain—and the possibility for joy.

37. The Sound of Stars by Alechia Dow
The Sound of Stars Alechia Dow
Now that the aliens have invaded and all art is illegal, Ellie’s hoarding a secret library…except it’s found by a young Ilori commander. Though M0Rr1S was engineered to be devoid of emotion, he finds himself inexplicably drawn to human music, and their paths collide on road trip that might save humankind.

38. The Prey of Gods by Nicky Drayden
The Prey of Gods Nicky Drayden
An African-set tale of revolution, in which a very evil demi-god lady is defeated by a cross-dressing politician, a boy and his friend-maybe-boyfriend, a pop star and her dealer, an army of sentient droids, and a seriously powerful small girl.

39. Kingdom of Souls by Rena Barron
Kingdom of Souls Rena Barron
Arrah is born into a family of witchdoctors but without (evident) powers of her own. When the Demon king stirs with a hunger for human souls, it’s up to Arrah to save the world. This West African-set fantasy features a dauntless girl and complex, powerful family dynamics.

40. Washington Black by Esi Edugyan
Washington Black Esi Edugyan
A Jules Verne-ish adventure, told through the eyes of Wash, a slave in Barbados, an assistant to the plantation master’s brother in his scholarly pursuits. But also a story of a white man and a slave boy, and a nuanced look at Caribbean slavery.

41. Slice of Cherry by Dia Reeves
Slice of Cherry Dia Reeves
Set in Reeves’s YA Portero universe, two Black sisters—daughters of the famed Bonesaw Killer—begin carving people up, leaving a trail of vigilante justice. Reeves’s work claims violence for Black women in this searing work of feminist revenge.

42. Lakewood by Megan Giddings
Lakewood Megan Giddings
Lakewood is a scientific research facility with the promise of wonders: medication to cure dementia and depression, eyedrops to make brown eyes blue. When a Black millennial has to pay back her family’s debts, being a test subject there sounds like a…solution? This chilling novel explores medical experimentation on Black bodies and the moral dilemmas the poor face in order to survive.

43. A Blade So Black by L.L. McKinney
A Blade So Black L.L. McKinney
McKinney’s take on Alice in Wonderland is set in Atlanta and a fantastical Wonderland full of monsters. This Alice must grapple not just with teenage hormones and romance, but also fear of police brutality and family obligations—all while she kicks major ass taking down Nightmares.

44. The Jumbies by Tracey Baptiste
The Jumbies Tracey Baptiste
The Haitian folktale “The Magic Orange Tree” is just a jumping off point for The Jumbies, the beginning of Baptiste’s middle-grade adventure series. Immerse yourself in Baptiste’s fantastical world inspired by Caribbean myths, and cheer for the gutsy, island-saving Corinne!

45. Redemption in Indigo by Karen Lord
Redemption in Indigo Karen Lord
When Paama finally leaves her awful husband, she attracts the attention of the djombi, who give her the Chaos Stick—but one of the djombi thinks the stick should be his. Utterly hilarious and utterly familiar to women the world over.

46. The Icarus Girl by Helen Oyeyemi
The Icarus Girl Helen Oyeyemi
Oyeyemi’s impressive bibliography is full of gems, so we’ve listed her debut here, where she explores doppelgangers, split selves, and the theme of literary doubles in biracial Jessamy. She writes ambivalence and cultural displacement set against a backdrop of childhood, and her work here is equal parts surreal and devastating.

47. A Song Below Water by Bethany C. Morrow
A Song Below Water Bethany C. Morrow
Black mermaids in alternate Portland! In Morrow’s YA urban fantasy, Black girl sirens are maligned and considered dangerous, so they hide their identities and abilities in order to survive. Beautiful use of mythos to examine racial identity, sexism, and the myriad ways Black women are othered and oppressed—and you’ll love the sisterhood.

48. Conjure Women by Afia Atakora
Conjure Women Afia Atakora
Weaving narratives across two generations, Atakora’s debut is a masterpiece of historical fiction set before and after the Civil War. Miss May Belle and her daughter Rue are conjure women, folk healers who keep their community’s secrets while navigating an unconventional path to freedom.

49. A Phoenix Must First Burn edited by Patrice Caldwell
A Phoenix Must First Burn Patrice Caldwell
16 bright, shining tales of Black girl magic by renowned Black women and genderqueer writers, compiled by author and former children’s book editor Patrice Caldwell. Stories range from retold folktales to futuristic societies, centering Black girls as rebels, scientists, vampires, and more.

50. Remembrance by Rita Woods
Remembrance Rita Woods
An epic historical fantasy spanning two centuries and four points of view, Remembrance tells the impressive, head-spinning story of Black women creating safe haven and community—from 1700s Haiti to antebellum New Orleans to present day.

 

Sirens Essay: Have You Seen Her? Looking for Shuri on the Pages of Her Comic Series

At Sirens, attendees examine fantasy and other speculative literature through an intersectional feminist lens—and celebrate the remarkable work of women and nonbinary people in this space. And each year, Sirens attendees present dozens of hours of programming related to gender and fantasy literature. Those presenters include readers, authors, scholars, librarians, educators, and publishing professionals—and the range of perspectives they offer and topics they address are equally broad, from reader-driven literary analyses to academic research, classroom lesson plans to craft workshops.

Sirens also offers an online essay series to both showcase the brilliance of our community and give those considering attending a look at the sorts of topics, perspectives, and work that they are likely to encounter at Sirens. These essays may be adaptations from previous Sirens presentations, the foundation for future Sirens presentations, or something else altogether. We invite you to take a few moments to read these works—and perhaps engage with gender and fantasy literature in a way you haven’t before.

Today, we welcome an essay from Kaia Alderson!

Have You Seen Her? Looking for Shuri on the Pages of Her Comics Series
by Kaia Alderson

When the Shuri comics run was announced, I was so excited to have a chance to see more of the spunky teenager portrayed in the Black Panther film. I ran to the comic bookstore on the day issue #1 was released hoping to see a story that focused on her—an intelligent, spunky young woman who was Black. (Shuri is African. I’m using the more generic term “Black” here since I am examining visual representation in texts where character geographic origins aren’t always clear.) I understood that comic book Shuri was not necessarily the same character as the one portrayed on screen. But what mattered to me was that there was a new space for action-packed stories that centered a woman of African descent.

Shuri #1 set the scene for a lot of promise to come—a young woman working through the insecurities that come with stepping into a leadership role filled with external expectations, The Elephant Trunk, and a mysterious online admirer. But that promise fell short as the series went on. With a woman of African descent as the main writer penning the story, I expected a storyline that centered a heroine of African descent. Instead, it soon veered off into adventures where Shuri teamed up with other (mostly male) people and non-human lifeforms. It appeared that the title character was barely in her own story at times.

How did a #RepresentationMatters dream scenario go so sideways?

I decided to prove my suspicions by taking a more scientific approach. Time and access did not allow me to examine every text in which comic book Shuri has made an appearance, so I chose to focus on the Reginald Hudlin-penned trade paperback titled Shuri, written as a part of his Black Panther run, and the 10-issue run of the standalone Shuri comic written by Nnedi Okorafor and Vita Ayala. I kept it simple with a comparison of visual representation by counting the number of panels in which Black women, Black men, aliens/non-humans, Shuri herself, and other Marvel characters were depicted in the Shuri series. I also went back and counted the panels in the Reginald Hudlin-penned trade paperback Black Panther: Shuri – The Deadliest of the Species to see if there were any differences when the writer was a Black man. Ironically, however, it was the inclusion of nonbinary Afro-Latinx comics writer Vita Ayala (Shuri issues #6 and #7) who demonstrated how effective #RepresentationMatters can be in superhero(ine) comics, yet in an unexpected way.

My assumption prior to compiling my data was that there would be more “screen-time” on the Black female experience within the Okorafor/Ayala standalone Shuri run than within the Hudlin storyline. (And that the “gaze” would be more affirming and women-centric.) That assumption proved to be true in the case of the Shuri character. Shuri appeared in 58% of Okorafor’s panels and 44% of Ayala’s panels, while she appeared in only 29% of Hudlin’s panels. However, while Shuri was technically in more than 58% of Okorafor’s panels, she did not appear as herself visually in 38 panels (5.4% of Okorafor’s panels) because she was inhabiting the non-human Groot’s body. (I thought that this was an interesting choice for Okorafor to make given the criticism the movie The Princess and The Frog received because Disney’s first Black animated princess spent the majority of her screen time depicted, not as an African-American woman, but as a frog.) Regardless of that choice, Shuri was still more likely to appear in a story carrying her name when it is written by a person who identifies as a Black woman. But even then, she shows up in a little over half of the panels in the Black female-penned story arc.

It took me a while to digest the fact that Shuri only appears in 58% of the Okorafor-penned panels. (Actually, I’m still trying to wrap my mind around that.) How depressing. Even when a Black woman crafts a Big 2 superhero comics story about a Black woman, that title character only showed up in 58% of the story. What the hell? I know I have yet to examine Eve Ewing’s Ironheart series this way—but I’m almost scared to do so after compiling these statistics for Shuri.

Thankfully, the next set of numbers I compiled were more promising. I looked at how often Black women in general (when not identified as Afro-Latinx) were depicted. I found that Black women were more likely to appear in a panel when the writer identified as Black (non-Latinx): 77% of Okorafor’s panels, 44% of Ayala’s panels, and 66% of Hudlin’s panels. In fact, the only Black (non-Latinx) woman in Ayala’s panels was Shuri. They did have one woman who identified as Afro-Latinx. But even so, she still only appeared in 5% of Ayala’s panels. In this particular sample, it is safe to say that the writer’s ethnic and gender identifications matter when to comes to who we see, and how often, in a comics story.

What really hit home for me in terms of #OwnVoices and #RepresentationMatters was my findings within the issues that were written by Vita Ayala (Shuri #6 and #7).

They were the only writer in my study who had Black women (who were not identified as Latinx) written into less than half of their panels. The only Black (non-Latinx) woman to appear in their panels was, in fact, Shuri. However, Afro-Latinx men appeared in 68% of their panels. Miles Morales shows up in 29% of the story. This is a win for the push to depict more diverse stories within Big 2 superhero comics. But it is frustrating for those who came to the Shuri comic hoping to see more of the equally underrepresented Black female experience on its pages.

It must also be noted that, while I didn’t record how often other groups were depicted, Ayala’s issues contained the most diverse representations visually out of the three writers. This makes sense given that their story took place in Jersey City, New Jersey (USA), while Okorafor’s and Hudlin’s stories primarily took place upon the African continent.

My examination here was not intended to be an exhaustive, definitive study. The point was more to start answering the question of whether it really matters who creates these stories. In taking a closer look at the visual text, my goal was to determine whether or not the visual representation of Big 2 comics characters with marginalized identities changes when put in the hands of #OwnVoices writers and artists via a micro survey of the Shuri comics run. Clearly in the case of the comic books’ Shuri character, how the person writing her story identifies socially influences how often she even appears in her story. But even when she is in the hands of a Black woman, much less in her own series, she still needs a chance to dominate the storylines marketed under her name. The fact that she only visually appears (as herself) in 55% of the panels in the entire standalone Shuri series may have contributed to why that run resulted in low sales.

As a Black female reader, it is frustrating to see that Shuri’s visual representation is so low in this 10-issue series that is supposed to be about her. Shuri is a not a traditional Big 2 superhero(ine). A comics series marketed under her name is going to attract a non-traditional audience, mainly Black women. It does a disservice to this character, and the audience she attracts, if Shuri is not depicted on an overwhelming majority of the pages in her stories. However, it is encouraging that the likelihood of seeing Shuri and other Black women on the page significantly increases when the story is written by a Black person, even more so when that person is a Black woman. Similarly, the visual representation of the Afro-Latinx experience appears to increase when the story is in the hands of an Afro-Latinx writer regardless of who the title character of the comic is. These findings, in themselves, are progress. I look forward to seeing more of it.


Kaia Alderson
Kaia Alderson is a comedy and fiction writer based out of coastal Georgia. Her recent publications include romantic comedy novella Calling Her Bluff and comics shorts stories in Ladies’ Night anthology volumes 4 and 5. She has performed with Atlanta-based 2 Girls 3 Eyes improv group and is an alumna of Spelman College. Kaia has studied writing with the Hurston/Wright Foundation, The Second City, and Voices of Our Nation (VONA) workshop. When she isn’t living her best life on Twitter, Kaia spends her evenings worshipping all things Nora Ephron.

Presented by Narrate Conferences, Inc.

 

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