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Inclusivity at Sirens: Faye Bi

Sirens is about voice: the voices of each individual attendee, how those voices come together in conversation, and how those conversations create a community. At Sirens, we want everyone to have an opportunity to use their voice, whether that’s as part of our programming schedule or late into the night over tea.

But we also know that building a space for those conversations—a space where everyone is willing to speak and, equally important, where everyone is willing to listen—is not so simple. So often, we as a society build barriers that prevent people from speaking, and so often those barriers are based on gender, sexuality, race, religion, ability, or other identity—and so often those barriers also help others ignore those voices.

This year, we are featuring a series of posts addressing diversity, inclusion, and intersectionality at Sirens in order to highlight voices that are both vital to our community and are too often unheard.

Sabrina Chin and Amy Tenbrink, Conference Chairs

 


 

Back in 2009, I followed a link from Sherwood Smith’s LiveJournal post to learn about this conference featuring women in fantasy literature. It was called Sirens, she’d announced, and she was a guest of honor, along with Tamora Pierce and Kristin Cashore. Sherwood alone would have convinced my broke little college-student heart to book my flights, but Tamora Pierce as well, the creator of my childhood idol Keladry of Mindelan of the Protector of the Small books? Did it matter that I’d never attended a convention or conference before? Or that I knew nobody at all except Sherwood?

It’s been nine years since I first attended Sirens. In that time, I’ve learned a lot about myself—as a reader, a woman, and an immigrant of Chinese heritage who grew up in eastern Canada and now lives in New York City. Back then, I was fresh out of my teen years and switching college majors from engineering to anthropology, and I certainly hadn’t read a book for fun since high school. (Thanks, Sirens peeps, for introducing me to the works of Suzanne Collins and Gail Carriger that year!) Nowadays, I’m a book publishing professional with almost seven years of publicity and marketing experience. I have my habits, preferences, and biases. I am introverted, discerning when it comes to my reading material, unafraid of sharing my opinions, and comfortable in my own skin.

Over the last nine years, I’ve also learned lot about the world. I’m shaken up by rage-inducing injustices happening around me every day, but I still must find the strength to leave my house, go to work, and generally be out in public. I’ve perfected my resting bitch face (sharp mouth, distant gaze), my purposeful walk (no stopping, look up directions ahead of time), and my snappy comebacks (only used in a safe environment with other people around, natch). Though I am confident in my identity, it is oftentimes hard to be in this body: this petite, Chinese immigrant female body on which people often project their expectations and stereotypes. I’m no stranger to being overlooked or underestimated. I can no longer keep count the number of microaggressions and instances of flat-out bigotry I’ve experienced by strangers, colleagues, or even “friends.” If you asked me if a good chunk of my personality is a reaction to this, I would say yes, it’s my armor.

In 2009, discussions of diversity, representation, and inclusiveness in the book community were still rumblings—present for a long time, but under the radar. Now, they’ve rightfully become headlining topics in pop culture and entertainment as a whole. Sirens, too, has clearly evolved to become more intersectional in its focus. I delight in discovering new fantasy writers of diverse backgrounds who are invited as guests of honor, and whose books appear on our on reading lists and featured in programming sessions. (No one back in 2011 can forget Nnedi Okorafor’s monstrously amazing keynote, either!) But it’s the community, made up of all stripes of people who love reading and discussing women in fantasy literature, that makes Sirens so incredibly special. I’ve made lifelong friends and comrades-in-arms, especially when it comes to the rage-inducing bullshit we face on a daily basis. It’s a treat to reunite with old friends every year, but it is equally as exciting meeting new attendees. It can be daunting, but let this introvert who remembers her first year very well tell you:

The year when the Sirens theme was Rebels and Revolutionaries, a Sirens Studio faculty member shared that “Sirens is the one weekend each year that doesn’t feel like battle.” I choked up upon hearing this utter truth about the community I’m so proud to be part of, and the comfort I feel interacting with its members. Because it doesn’t feel like battle, when so much of my daily life does. That’s a feeling to ponder, but also one to protect. Sirens works very hard to maintain that atmosphere of conducive conversation, healthy debate, and learning. Each October, and throughout the year as a staff member, I interact with many members of our community, some of whom are very different than me. I always keep in mind a few things: Not everyone has my thoughts. Not everyone has my body. Not everyone has my experiences. Not everyone likes the same books. (Though sometimes we all love the same book and that’s awesome!) Most people have heard of intersectionality and have varying levels of awareness. If you haven’t, I advise you to do some research—I promise it’s worth it.

There are, and will be, times of disagreement and possibly discomfort—when someone makes an ignorant comment at a roundtable or a moderator doesn’t call out a panelist’s microaggression. When you’re just lounging in the lobby talking about the latest bestseller or between breaks at Bedtime Stories, you might overhear someone say, “Well you’re Asian, what did you think about the book?” or “I don’t understand asexuality. Can you explain it to me?” As open and aware as we’ve become, we’re not perfect. I know most Sirens attendees don’t look like me. But I also know, as a cisgendered mostly heterosexual woman, that I have much to learn from others as well. Most progress happens in that hazy space of uncomfortable conversations and being challenged. I remember one Sirens attendee passionately critiquing a short story by an author I really loved, saying that the author, no matter how unintentionally, appropriated her culture’s religion and myth for a “fantasy” setting and flavor. Or how another attendee wasn’t comfortable with a book’s inconsistent use of pronouns for a trans character, something I hadn’t thought of until it was pointed out to me.

The conversations at Sirens are spirited and lively, as they often are when a group of whip-smart, opinionated, voracious readers come together. I try to enter every interaction with good intentions, a pursuit of understanding, and respect. Sometimes I also need to do the emotional work of engaging with others different than me, especially if they are from a marginalized group (person of color, varying ability, genderqueer, neuro-atypical, and so on). I encourage every Sirens attendee, new and returning, to do that as well. Sometimes I make mistakes; when someone disagrees with me, I hope they feel comfortable telling me so, hopefully acknowledging that I did so out of ignorance and not malice. I know how much work it can be to explain my existence to other people. The difference at Sirens is that I’m encouraged to share my perspective—if I want to.

This kind of community requires active participation of its members to be great, so Sirens needs all of you. This is a hard line to walk. I did, and still do, a lot of listening. And for those of you peeling off your armor, even for a weekend, I hope it’s as much of a relief for you as it is for me.

 


 
Faye Bi works as a book publicist in New York City, and leads the Sirens communications team. She’s yet to read an immigrant story she hasn’t cried over, and is happiest planning nerdy parties, capping off a long run with brunch, and cycling along the East River.
 

Read Along with Faye: The Thinking Woman’s Guide to Real Magic by Emily Croy Barker

The Thinking Woman's Guide to Real Magic

Read Along with Faye is back for the 2017 Sirens Reading Challenge! Each month, Sirens communications staff member Faye Bi will review and discuss a book on her journey to read the requisite 25 books to complete the challenge. Titles will consist of this year’s Sirens theme of women who work magic. Light spoilers ahead. We invite you to join us and read along!

What I love about the Reading Challenge is that it forces me to read outside my preferences, and I’m pushed to discover works by authors I’ve never read before. Most of the time I’m delighted. But occasionally in the case of Emily Croy Barker’s The Thinking Woman’s Guide to Real Magic, I encounter a book that simply doesn’t suit me.

When I read critically, there are parts of my brain I can’t shut off. Like, the “I love and have read a lot of fantasy” part. Or the “I’m a huge nerd and proud of it” part. Or the particularly large “I read everything through an intersectional feminist lens” part. The Thinking Woman’s Guide to Real Magic made all these parts of my brain flash warning signs, coupled with the fact that it was a long, 600-page tome that’s also a (surprise!) first of a series.

The novel starts off with our twenty-something protagonist, Nora Fischer, an English graduate student whose life is falling apart. Her thesis advisor tells her that she’s under performing and about to be put on academic probation, and her recent ex-boyfriend of several years has just invited her to his destination wedding to another gal. Because of um, masochism, Nora chooses to attend, but wanders off to an isolated part of the mountains and meets Ilissa, a glamourous faerie queen (she’s not called that, but that’s basically what she is. Surprise! Faeries!). Ilissa takes Nora on Henry Higgins-style and introduces her to a dazzling new world of beautiful people and parties, including her gorgeous faerie prince son Raclin.

Of course, because faeries are selfish monsters and treat humans as their playthings, everything turns to shit pretty quickly and Nora finds herself stuck in an alternate world where (surprise!) magic exists. The novel moves from a portal fantasy to attempt to be a pseudo-Western Europe medieval fantasy saga with politics and intrigue. With the help of the magician Arundiel, a Mr. Darcy-like character with a brooding past, Nora escapes the clutches of Ilissa and Raclin and tries to learn magic to get back to her real world.

I read somewhere that this is Emily Croy Barker’s debut novel. It borrows heavily from The Chronicles of Narnia, Pride & Prejudice, and despite Nora’s near-constant disparagement of nerd culture, Harry Potter. I found it oddly structured, with very little character growth and it dabbled in a lot of fantasy tropes without understanding or respect to their origins. Was there a reason Croy Barker’s magical world had to be built on Western Europe? It should be no surprise that patriarchy exists in the fantasy realm, but it felt like it these limitations were created just so Nora could rail against them in a burst of feminist credibility (ignoring that her burgeoning crush on Arundiel overshadows the fact that he killed his former wife).

But moreover, I found Nora to be incredibly unlikable, in a way that I’m not sure the author intended. I found her feminism problematic (the casual way she dismisses her accomplished thesis advisor: “Last fall, in a single semester, she had produced both [a] baby and a book on sexual ambiguity in Dickens”). She comes from a privileged upbringing if academic probation and her ex-boyfriend marrying another drives her to frolic among the faeries. And despite the title calling Nora a “thinking woman,” she hardly analyzes anything critically, instead remaining passive for the bulk of the story.

But your mileage may vary! If you like reluctant heroines, this book might be for you. Readers new to fantasy might not mind the varying structure and treatment of tropes. If you can stomach unlikable protagonists like Quentin from The Magicians, you may have the patience to put up with Nora. And it can be occasionally funny. The one laugh-out-loud scene from the book was when Arundiel helps Nora deliver a message to her younger sister from fantasy world to the real world, and Nora’s sister looks at him and cries, “…Snape?” Yeah, it’s that kind of book. Now onto the next!

 


 
Faye Bi works as a book publicist in New York City, and leads the Sirens communications team. She’s yet to read an immigrant story she hasn’t cried over, and is happiest planning nerdy parties, capping off a long run with brunch, and cycling along the East River.
 

Milestones

I always thought I’d write this post only if Sirens reached its tenth year.

Ten years feels like a milestone. Like some sort of incontrovertible measure of success. Like maybe, despite the Sisyphean efforts of creating an annual conference, you’d have obviously reached the top of the mountain, gazed in wonder upon all that you’d built, and maybe decided to find some laurels. You know, for resting upon.

But here we are, in our ninth year—and while I find that Sirens has, indeed, reached an incontrovertible measure of success, I also find that we’ve been at the top of the mountain all along.

Many of you know that, in our first eight years of Sirens, we never had more than 106 attendees. While Sirens was always intended to be small, it wasn’t meant to be quite that small. Yet, despite having hundreds of smart, passionate, dedicated attendees over the years, we just could not produce any sort of growth, at least not in attendee numbers.

Until now. In 2017, as I write this, we have 171 registrations. We’ve had to impose a registration cap. The Sirens Studio and the Sirens Supper are sold out. We received a record-setting number of programming proposals. We’ve already had to ask the Hotel Talisa—twice—for more guest rooms. We’re looking for space for next year that can hold more people.

If you’re counting, we’ve reached an incontrovertible measure of success.

But success at Sirens has never been determined by growth. Instead, I find that our growth is reflective of the success we’ve already had, and indeed, success that—as we gaze down from that mountaintop—we’ve had since we first set foot in Vail in 2009. Our growth is, instead, born of something far more important, far more profound: community.

Sirens has always been about voice. From the day we first dreamed of Sirens, our team has believed, deeply, in creating a space for passionate voices to discuss, analyze, and celebrate women in fantasy literature. What we didn’t know was whether anyone would use that space—or whether those voices would coalesce into a community of people who believe, just as deeply, that the remarkable women of fantasy literature are worthy of frank discussion, exacting analysis, and joyful celebration.

And yet, for eight years, since the night we presented the first Sirens Supper and the California contingent danced in the snow, we have been a community. A community that has evolved considerably and continues to do so. One that’s becoming increasingly brilliant, increasingly inclusive, increasingly confident, increasingly vocal. One that believes in itself and each of its parts. A once-a-year respite, where you can repair your armor, replenish your magic, and remember how truly remarkable the women of fantasy literature—from queens to readers—are. That community, and that success, have been there all along.

So, in our ninth year—as so many of you prepare to attend Sirens for the first time—I want to reflect, just a bit, on what Sirens is and what it, at its best, can be.

Each year, as you know, Sirens is dedicated to the diverse, remarkable women of fantasy literature.

Each year, we gather: To bring our individual perspectives, experiences, and identities to conversations about books, about stories, about authors, about publishing, yes, but also about love, wisdom, power, and revolution. To applaud books we love and debate books we didn’t love quite so much. To compare ourselves—and our identities, our families, our challenges, our ambitions—to those of the fantastic female characters who remind us of what we can be.

To speak. To listen. To change our minds. To grow. To wonder aloud and vent our frustrations and declare our hopes. Fundamentally, to create a smart, welcoming, inspiring community from a thousand conversations.

Each year, the spark for many of those conversations, the foundation of our discussion and debate of the diverse, remarkable women of fantasy literature, is our programming. Those dozens of hours of brilliant, thoughtful, earth-shaking analysis presented by scholars, educators, librarians, publishers, and authors, certainly—but also, just as valuably, by readers, students, doctors, lawyers, farriers, mothers, grandmothers, knitters, fighters, and everyday heroines.

But each year, many of those conversations will happen outside our programming. Over tea or a drink. In a hot tub or at the spa. At the bookstore. Those surprise conversations that dare us to be more ambitious, more assertive, more empathetic. Those conversations are Sirens, too.

And each year, many of those conversations will tackle our annual theme. One year, warriors; another, faeries. Then monsters, or revolutionaries. These themes help spark our collective imagination, for everything from presentations to bookstore inventory, informal programs to artwork. They help us discover the breadth of women’s representations in fantasy literature, and the tremendous panoply of real-world women we know. They enrich our conversations, and deepen our connections to fantasy literature, each other, and ourselves.

In 2017, the Sirens theme is women who work magic: witches, sorceresses, spellcasters, mages, illusionists, and more. Think about that for a second: Not only women who have magic, but women who work magic. They might work it quietly or shyly or slyly. They might work it with great purpose or great skill or great pride. But these women have power and they use it.

This theme might speak to you in a number of ways. To me, it’s a ready analogue for power in the real world: something that many women don’t have; something that women are punished for wielding; something that “nice girls” would never use. But to you, the theme might be about talent or training or skill. It might be about creation or innovation. It might be about goals and aspirations and drive. It might be about dreams or quests or bargains. It might be about oppression or revolution or revenge. After all, even in fantasy literature, the word “witch” is so often a slur….

As we approach Sirens, we invite you to give all of this some thought. Some of you are more outgoing, or more self-assured, than others, but we hope that all of you will find a way to add your voice to Sirens. Similarly, we hope that all of you will find a way to listen while others add their voices to Sirens. Our conversations are built on the diverse perspectives, experiences, and identities of our community, and as much as we come to speak our minds and our hearts, we also come to learn as others speak theirs.

Over the next few months, as we prepare for Sirens, we’re going to share all sorts of things: information to help you plan for Sirens, inclusivity posts crafted by members of our community, interviews with our guests of honor, and more. We hope to see you around our online community (Twitter; Facebook; Goodreads), even before we arrive in Vail. And we’re so excited to see you this fall.

Undeniably yours,
Amy
Sirens co-founder and co-chair

June Fantasy New Releases

We’re excited to bring you a roundup of June book releases of fantasy by and about women. Let us know what you’re looking forward to in the comments.

As always, we’d love to hear from you. If you’ve sold a fantasy work, read a great recently-released story, discovered a fantastic link that we missed, or if you’ve got a book or story review to share, please get in touch and leave a comment below.

 

Sirens Newsletter – Volume 9, Issue 6 (May 2017)

In this issue:

 

THANK YOU FOR YOUR PROPOSALS

Thank you, everyone who submitted programming proposals! We had a record-breaking number of submissions this year, and the vetting board is hard at work reviewing this year’ programming. Decisions will be emailed to submitters by June 12, as will programming scholarship awards (Con or Bust and financial hardship scholarships have already been awarded). All presenters must be registered for Sirens and paid in full by July 9, the presenter registration deadline.

 

LIMITED REGISTRATIONS REMAINING

We’re thrilled—and somewhat shocked—by the unprecedented amount of growth in registrations for Sirens this year! We have carefully examined our available space in Vail, and we can accommodate only 190 total registrations this year. We are holding registrations for everyone who proposed programming this year, regardless of whether the vetting board accepts their proposals, until July 9, after which they will be released to the public. For the full announcement and ticket updates, please visit this link.

As of May 30, we have only 9 registrations remaining! We’ll continue to post updates on registration availability on this blog, on our Twitter and on our Facebook page. Please also watch our Twitter for announcements of any individuals seeking to sell their registrations.

 

AMY’S BOOK CLUB

The Girl Who Drank the Moon

For May, Sirens co-founder Amy Tenbrink read Kelly Barnhill’s award-winning The Girl Who Drank the Moon, which she found “breathtaking: both original and reclaimed, both philosophical and whimsical, always compulsively readable.” Read her review over on the blog and on Goodreads.
 

READ ALONG WITH FAYE

Bayou Magic

For the Reading Challenge this month, Faye read Jewell Parker Rhodes’s Bayou Magic, which she loved for being so full of goodness, atmosphere and “the grandmother-granddaughter relationship that Rhodes has become known for.” Check out her full review on the blog and on Goodreads.
 

IN CASE YOU MISSED IT…


Interesting Links

 


Questions? Concerns? Please email general queries to (help at sirensconference.org) and questions about programming to (programming at sirensconference.org).

 

Read Along with Faye: Bayou Magic by Jewell Parker Rhodes

Bayou Magic

Read Along with Faye is back for the 2017 Sirens Reading Challenge! Each month, Sirens communications staff member Faye Bi will review and discuss a book on her journey to read the requisite 25 books to complete the challenge. Titles will consist of this year’s Sirens theme of women who work magic. Light spoilers ahead. We invite you to join us and read along!

Jewell Parker Rhodes once wrote that, despite not being from the area, “Louisiana profoundly stirs my heart, mind, and spirit.” This sums up my feeling as well, despite having only visited once—and too briefly, at that. Her Bayou Magic so strongly evokes a sense of place: the humidity and swampiness of the bayou, the aroma of Cajun spices and stews, the layers of family dynamics atop a multitude of geographies, religions and immigrant histories, the very real economic and environmental concerns of oil spills, and of course, magic.

As the youngest of four sisters, it’s ten-year-old Maddy’s turn to have a bayou summer with her Grandmere Lavalier, hours away from her family home in New Orleans. The people of the bayou have been waiting for her. Grandmere (or Queenie as she’s known) is famed for her magical abilities, and she’s picked Maddy to carry on her legacy. And it is indeed a magical summer. Rhodes sets Maddy’s journey of self-discovery against winking fireflies, menacing gators and fantastic food, and Maddy has some great interactions with the vibrant, diverse cast of locals. She and Bear, an eleven-year-old boy, become fast and adorable friends. Better yet, Maddy glimpses Mami Wata, a mermaid only she can see—which Rhodes reworked from an African diaspora folktale in a way that’s beautiful, unsettling and powerful.

It’s really hard not to love Bayou Magic. There’s just so much goodness and atmosphere, with some heartbreaking family moments (Bear and his father, for instance, keep reappearing in my mind), and is there anything better than the grandmother-granddaughter relationship that Rhodes has become known for? In the end, Maddy is a heroine easy to cheer for as she discovers her powers to save the bayou from environmental disaster. Spoiler alert: the book is set the same summer as the Deepwater Horizon Oil Spill.

If there was one criticism, it’s that Bayou Magic is paced a little unevenly, because two-thirds through I did realize that there was a plot, and the resolution to the environmental conflict was fairly unsubtle. But it’s so easily forgivable for its wonderful themes and powerful setting. Read it, give it to your friends, and give it to your friends’ kids. Definitely read it out loud. And for black children in the United States, I’m so glad this book exists.
 


 
Faye Bi works as a book publicist in New York City, and leads the Sirens communications team. She’s yet to read an immigrant story she hasn’t cried over, and is happiest planning nerdy parties, capping off a long run with brunch, and cycling along the East River.
 

Book Club: The Girl Who Drank the Moon by Kelly Barnhill

The Girl Who Drank the Moon

Each year, Sirens chair Amy Tenbrink posts monthly reviews of new-to-her books from the annual Sirens reading list. You can find all of her Sirens Book Club reviews at the Sirens Goodreads Group. We invite you to read along and discuss!

What do you think it is about fairy tales?

Are we taught to like them, do you think? Taught to think they’re important? Taught to think that, even with magical pumpkins and glass slippers, your window to snare your one true love is fleeting? That even if you give up your voice and spend your days walking on knives, a short-lived affair is reasonable recompense? That you might be curious, but if you’re too curious, death awaits. Fairy tales: where you really do start someone’s daughter, only to grow into someone’s wife and, if you’re lucky, someone’s mother. Except that you aren’t really lucky, are you? Because your husband will probably abandon your kids to a witch, who — in the grand tradition of powerful women everywhere — will obviously eat them.

As Sirens discussed at length in 2012, we — as women and non-binary people — spend a lot of time re-claiming our stories. Remembering that, in early versions, a gaggle of wise women saved Little Red from the wolf. Restructuring tales so that women’s power isn’t unusual or bad or based on chomping children. So that we have options other than being meekly grateful for our dowry as we’re married off to murderers. So that we have a role in life other than attempting to redeem our fathers’ failures.

Ugh. What do you think it is about fairy tales?

As I sit down to write this, I wonder: How many fairy tales do I really love? How many retellings? How many reclamations? Perhaps The Little Mermaid, in its Andersen form, where abandoning yourself for a dude you’ve only seen, only to wind up sea foam when he casts you aside for another, seems like maybe how things go. Maybe Dark Triumph, Robin LaFevers’ almost unrecognizable Beauty and the Beast, where Beauty is, by many measures, more terrifying than the beast. Definitely Mr. Fox, by Helen Oyeyemi, where a bro writer’s fed-up female muse makes him retell Bluebeard over and over and over again.

Which is, perhaps, the long way of saying that I’m a fairy-tale skeptic. To me, they feel like more of the patriarchy: something cautionary, punishing, limiting. Something that tells girls to be good, to be kind, to behave. That if you stay on the path, and out of the forbidden room, and you just give up your voice, you’ll get your familial reward.

And then, here we are: The Girl Who Drank the Moon, Kelly Barnhill’s both familiar and not-so-much fairy tale.

It must be hard to write original fairy tales, don’t you think? Something that feels both comfy and wondrous. Something that resounds with all the import that we’ve assigned to fairy tales over the years, with gravitas, with profundity. And yet something that delights. Something that takes something so very patriarchal and transforms it into something feminist, inclusive, empathetic. How Sisyphean.

And yet, Barnhill does it. The Girl Who Drank the Moon is breathtaking: both original and reclaimed, both philosophical and whimsical, always compulsively readable.

In The Girl Who Drank the Moon, the Protectorate is a Puritan-ish society. A group of men — not necessarily white, but neither clearly not-white — runs the show: they boss everyone around, skim money off the trading, and oh yes, once a year, sacrifice the youngest child in the village to a witch — a witch that the bloody jerks don’t think exists. They purportedly made her up to terrify the villagers, and they just sort of assume that a wild animal eats the baby every year.

But there is a witch. Her name is Xan, and she has no idea why these great idiots leave a baby in the woods every year, but every year, she collects the baby and delivers it to a family on the other side of the woods, feeding it starlight across the way. How lovely is that?

Until whoops, Xan accidentally feeds one baby moonlight instead of starlight, which enmagicks the baby. Xan keeps this baby, naming her Luna, and raises her as both granddaughter and nascent witch — or rather a village raises her: Xan, a friendly swamp monster, and a perfectly tiny dragon.

So much of this story is about growing up and growing older: how children see things differently, how the older generation steps aside (or doesn’t) for the younger, how much puberty sucks, how memory can trick you or fail, how time runs out. And, of course, this story is about concrete things, too: A volcano. Seven-league boots. A woman with a tiger’s heart. A boy who thinks sacrificing babies is horrible. A girl afraid of nothing. A story told all wrong.

The Girl Who Drinks the Moon is the sort of fairy tale I wish I’d had growing up: one where women are powerful and monsters are kind and growing up is hard and the right person saying the right thing at the right time can change the world.

Amy
 


 
Amy Tenbrink spends her days handling content distribution and intellectual property transactions for an entertainment company. Her nights and weekends over the last twenty years have involved managing a wide variety of events, including theatrical productions, marching band shows, sporting events, and interdisciplinary conferences. Most recently, she has organized three Harry Potter conferences (The Witching Hour, in Salem, Massachusetts; Phoenix Rising, in the French Quarter of New Orleans; and Terminus, in downtown Chicago) and seven years of Sirens. Her experience includes all aspects of event planning, from logistics and marketing to legal consulting and budget management, and she holds degrees with honors from both the University of Southern California’s Thornton School of Music and the Georgetown University Law Center. She likes nothing so much as monster girls, Weasleys, and a well-planned revolution.

 

Limited Number of 2017 Sirens Registrations Remaining

In 2009, in its inaugural year, Sirens welcomed its first attendees in Vail: nearly 100 people joined us to discuss and debate the diverse, remarkable women of fantasy literature, with a special focus on female warriors. High on a mountaintop, Tamora Pierce delivered the very first Sirens keynote address, sharing with attendees—well into the night—her very personal journey through fantasy literature.

In 2016, in its eighth year, Sirens welcomed its highest number of registrations ever: just over 100 people joined us in Denver to again discuss and debate the diverse, remarkable women of fantasy literature, this time paying particular attention to lovers and the idea that whom you choose to love—or not love—changes you and can help you change the world.

In the years in between, we have examined faeries and monsters, hauntings and rebels. We’ve had our first reunion, and welcomed hundreds of different people to Sirens, some only once and some many times. Our community, though sometimes small, is breathtakingly mighty.

 

2017 GROWTH

In 2017, nearly 150 people have already registered for Sirens! We are amazed. We are thrilled. We are, as you might expect, somewhat shocked.

Given this unprecedented growth, we must impose a registration cap on Sirens this year. We have carefully examined our available space in Vail, and we can accommodate only 190 registrations.

As of today, only 21 registrations remain available for Sirens in 2017. This number does not include registrations set aside for scholarship recipients and potential presenters. We are currently offering these 21 registrations on a first-come, first-served basis.

 

PRESENTERS

Sirens is currently holding a registration for every person who proposed programming to Sirens this year. We will hold these registrations for these potential presenters, regardless of whether the vetting board accepts their proposals, until the July 9 presenter registration deadline. On July 10, if any presenters have not registered, we will make those remaining registrations available to others on a first-come, first-served basis.

 

SCHOLARSHIPS

Sirens has already awarded its Con or Bust and financial hardship scholarships; these awards will not affect the number of registrations available. The scholarships for exemplary programming proposals will be awarded in June and, as we are already holding registrations for presenters, these awards will not affect the number of registrations available.

 

UPDATES

If we find that we have additional registrations available, we will make an announcement on this blog, on our Twitter, and on our Facebook page. Please also watch our Twitter for announcements of any individuals seeking to sell their registrations.

 

TICKETS

Our Sirens Supper is sold out for 2017. We have only two Sirens Studio tickets remaining, so if you are interested in attending the Studio, we encourage you to register as soon as possible. We continue to sell Sirens Shuttle tickets and do not yet anticipate any availability issues, but we will let you know if that changes.

 

QUESTIONS

If you have any questions or concerns, please contact us at (help at sirensconference.org). Thank you so much to everyone who has ever attended a Sirens—or who is registered this year for the first time—for helping build this brilliant community!

 

Sirens Meet-Up: Denver

Though nothing can replace Sirens in October, we’ve begun hosting occasional gatherings throughout the year where our staff is based or occasionally travels to—and it’s been a nice way for the Sirens community to stay in touch. We had a great time last month in New York City’s meet-up with tea and books, so we’re putting on another meet-up: Denver edition… this time with margaritas, dinner, and books! Want to join us?

As ever, we welcome all members of the Sirens community, whether you’ve never attended Sirens or you’re a veteran! Are you new and curious? Heard of us but haven’t made it to Sirens yet? Attended before and want to bring your friends this year? Just want to catch up? Come on down! Bring your book recommendations, too!

Date: Thursday, May 25, 2017
Time: 6:00–8:00 p.m. (Mountain Time)
Location: La Sandia, Park Meadows Mall, 8419 Park Meadows Center Dr. in Lone Tree, Colorado

Notes: Participants must pay for their own drinks and dinner.

If you think you might join us, please RSVP to either @sirens_con on Twitter, here on Facebook, or to Faye at (faye.bi at sirensconference.org).

See you there!
 

May Fantasy New Releases

We’re excited to bring you a roundup of May book releases of fantasy by and about women. Let us know what you’re looking forward to in the comments.

As always, we’d love to hear from you. If you’ve sold a fantasy work, read a great recently-released story, discovered a fantastic link that we missed, or if you’ve got a book or story review to share, please get in touch and leave a comment below.

 

Presented by Narrate Conferences, Inc.

 

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